Peter Kafka, reporting for Recode:

Sources say Spotify is in advanced talks to acquire Gimlet, the Brooklyn-based company which produces a network of popular shows and makes shows for advertisers like Gatorade. Gimlet has also been moving into TV production, including a deal that turned Homecoming, which started out as a scripted podcast, into an Amazon TV show starring Julia Roberts.

Podcasting is going big, and it’s good to see Spotify trying to get a piece of that pie.

Apple’s Press Release on their Newsroom:

Today, Office 365 is available for the first time on the Mac App Store, making it easier than ever for Mac users to download Word, Outlook, Excel, PowerPoint, OneNote and the whole suite of Microsoft’s popular apps. Users can also purchase a subscription for Office 365 from within the apps, so they can get up and running instantly.

This was announced at WWDC in June last year. I wonder how much of a cut from the subscriptions is Apple getting from this.

My bet? Not a lot.

Marshall the Window Cat

Coming across stories like this on Twitter is one of the most wonderful things about the Internet as we know it today.

https://twitter.com/erika_strong/status/1088108670888693762?s=21

Gedeon Maheux, writing for The Iconfactory:

Now you can advertise your app, website, product or service directly on Twitterrific’s expansive network of tech-savvy users for just $100 a month. For that price we guarantee 1,000 tap-throughs – not impressions but actual visits – to your App Store page or website. What’s more, we take care of creating the ad for you ourselves and even provide App Analytics for iOS or Google Analytics for websites.

Twitterrific is one of the most lovingly crafted apps out there, and the folks at The Iconfactory are a bunch of incredibly passionate folks. The ads in Twitterrific are actually something you want to see and work as refreshing change from the usually clutter spreading like a parasite across the web.

If you’re an app developer, you should go check out The Twitterrific Ad Network here.

The folks at Hoefler & Co. have just announced a major change coming to Web Fonts from H&Co.

For years, Cloud.typography has included any five fonts of your choosing, and the rest available to purchase. Today we’re making things a lot simpler, a lot more flexible, and a lot more valuable: every Cloud.typography subscription now includes access to our complete library of fonts to use on the web.

This is a phenomenal value being offered at just $99/year. The fonts that Hoefler & Co. offers are some of the most remarkable fonts available today, and to have access to the entire library of fonts to include in any of your websites, is great news for any designer and developer out there.

But that’s not all, there’s more good news further down in the post.

Whether you’re a Cloud.typography subscriber or not, now you can license any of our fonts for self-hosting, and download them as both woff and woff2 files.

I like that both these options are independent of each other, and that you can even buy a perpetual license to the exact font you want to self-host.

Google has announced today that it will be increasing the prices of its G Suite offering.

Over the last ten years, G Suite has grown to provide more tools, functionality and value to help businesses transform the way they work. The one thing that hasn’t changed over this time, is price. Today, we are announcing two incremental list price updates to reflect this value. Starting on April 2, 2019, G Suite Basic Edition will increase by $1 (from $5 to $6 per user/month) and G Suite Business Edition will increase by $2 (from $10 to $12 per user/month), or the local currency equivalent where applicable. These increases will apply globally with local market adjustments for certain regions. Pricing for G Suite Enterprise Edition customers will not change.

I think the price increase is fair, but I do wish Google had a ‘Lite’ plan, smaller than the Basic edition, that only offered Gmail + Drive for $3/user/month.

To be fair, Google does offer lower pricing for G Suite in India, starting at ₹150/user/month for the Basic edition, but I bet that’s rising to ₹200 very soon.

Paul Kafasis from Rogue Amoeba has posted about this pretty interesting little improvement in the new Macs with the T2 chip that Apple currently ships:

On older Macs, the headphone jack and the internal speakers are essentially separate ports on a single output device, and only one of these ports is allowed to be active at a time. Because of this, audio can be sent to either the built-in speakers, or the headphone jack, but not to both. As well, if anything is connected to the headphone jack, the OS shuts off the built-in speaker completely.

With these new Macs, there are actually two distinct output devices. The headphone jack and the internal speakers are separate devices, completely independent from one another.

I’m not sure how practically useful this is, but it sure is interesting. I wonder if I can enable two simultaneous audio outputs, where one output is the built-in audio jack and the other is a USB-C to 3.5mm dongle.

‘Tumbbad’ is an Incredible Experience

Tumbbad Still Image from Film

I usually don’t post movie reviews here on Nuclear Bits, but ‘Tumbbad‘ calls for an exception. It is an incredibly crafted genre-defining flick and if you love watching movies, do make sure that you watch it before the theaters end its run.

I happened to watch Tumbbad last night and I must say, it is an incredible experience, very unlike anything coming from Bollywood. It’s so refreshing to see a flick that cares about creative vision, intricate set designs, cinematography, and sound design. There’s no big-budget star cast, no larger-than-life glittering sets, and no over the top music and dance sequences. Yet, Tumbbad manages to present a really skillful and perfect artwork on the screen that offers an absolutely fascinating visual and audible experience. It’s a “must-watch in the theaters only” kind of film.

I loved the way the cinematographer has crafted most of the frames in the movie. The lighting, the movement of the camera, and the way each shot is precisely made possible, backed by Rahi Anil Barve’s fabulous direction, is nothing short of commendable.

I know a lot of people who’re skeptical about it, thinking it’s a horror film. But there’s a stark difference between the typical horror stuff with jump scares that we’re used to seeing, and what Tumbbad delivers. It’s a ‘Fantasy Horror’ film, but one that’s based on a powerful storyline with a primary theme of ‘greed’. It won’t leave you looking over your shoulder once you step out of the theatre and around the corners at home, it just isn’t your exorcism and “bhoot-preyt” kind of horror. What it is, is thrilling, gripping, and surreal.

Lastly, one of my favorite parts of the film is its background score by Jesper Kyd. Tumbbad is scored by Jesper Kyd — the same man behind the popular games like the Hitman series, Assassin’s Creed series, Borderlands series, Darksiders II and State of Decay. His music is what brings the film to life in the theater.