Watching Vikram-1 lift off from Sriharikota this morning genuinely gave me goosebumps. Skyroot just made India the third country in the world with private orbital launch capability — after the US and China. Let that sink in for a second.

Founded in 2018 by ex-ISRO engineers, Skyroot has gone from a suborbital test flight in 2022 to a fully orbital, four-stage rocket in under four years. Vikram-1 today carried real customer payloads on this debut flight too — not just a token test mass — and every single one of them made it to orbit. Huge congratulations to the entire Skyroot team, especially to founders Pawan Kumar Chandana and Naga Bharath Daka who set out & dared to get the ball rolling.

I’ve always been excited watching ISRO launches and I’m glad there’s another player on the calendar now.

Apple Music just got a lot more expensive in India

I had gotten pretty comfortable with Apple Music’s India pricing in recent times. I’ve been a long-time Spotify user, long before it launched in India (thanks, Ronak). However, I’d grown increasingly annoyed at them for pushing their podcasts into their music app, and their recommendation engine — something that had worked incredibly well for the longest time — had become terrible. But I still maintained an active Apple Music subscription, because it costed just ₹99 a month. So some time last year, I switched to Apple Music full-time and ditched the Spotify subscription I’ve held for so long. 

The Apple Music subscription was active long enough that I’d stopped noticing the monthly deduction altogether. That changed this week. Apple has raised Apple Music subscription prices in India by up to 28 percent, while leaving its Apple One bundle completely untouched (so far).

The new Apple Music India pricing in July 2026

  • Individual: ₹119 → ₹139/month (~17% hike)
  • Family: ₹179 → ₹229/month (~28% hike)
  • Student: ₹59 → ₹69/month (~17% hike)

The Family plan takes the biggest hit by far. For context, the US Individual plan only went up about 9 percent ($10.99 → $11.99), so India’s getting a noticeably steeper increase this time around — not the first time regional pricing hasn’t scaled 1:1 with the US, but a bigger gap than usual.

Apple hasn’t put out an India-specific statement, but the new prices are already live on Apple’s India pricing page. This is also the third time Apple has increased their pricing in the country in recent times, following the MacBook and Pro price hikes in June over rising memory costs, and the AppleCare+ price hikes earlier this week by roughly ₹3000.

As for the reasoning, Apple told Music Business Worldwide:

“As a result of rising licensing costs, Apple Music is increasing its subscription price beginning today.”

Same explanation Apple’s given before — more of the fee is supposed to flow through to artists and rights holders, not just Apple’s margins. Licensing costs genuinely have been climbing across the industry, to be fair, and Apple isn’t alone here: Spotify raised its own India and global pricing earlier this year too, and Apple’s marketing team happily took a jab at them for it on social media at the time.

Apple One in India hasn’t changed — and that’s the interesting bit

Globally, Apple did revise Apple One pricing too — the Family and Premier tiers went up in the US, though the base Individual tier there was left alone. In India, though, Apple One isn’t budging at all: it’s still ₹195/month for Individual and ₹365/month for Family, the same pricing the bundle has had since it launched here in 2020. Also worth remembering: India still doesn’t get the Premier tier at all — that’s stayed US/UK/Australia/Canada-only since launch.

Practically, that makes the bundle a noticeably better deal than it was a week ago. Apple Music Individual alone is now ₹139/month — just ₹56 short of the ₹195 Apple One Individual plan, which also gets you Apple TV+, Apple Arcade, and 50GB of iCloud+ storage on top. If you’re already paying for two or more of those separately, it’s worth doing that math this week.

I don’t know if Apple’s planning to eventually bring India’s Apple One pricing in line with this Music hike, or if it’s deliberately holding the line to keep the bundle looking like the smarter buy while everyone absorbs the standalone increase. Either way — if you’re an Apple Music subscriber in India who’s never bothered looking at Apple One, this is probably the week to.

But my gut says Apple One pricing in India is increasing too.

Michael Friedman, Group Product Manager, Gemini App writing on the Google Blog about the release:

Today, we’re bringing the Gemini app to macOS as a native desktop experience, designed to live right where you work. It’s always just a keyboard shortcut away, so you can quickly get the help you need without losing your focus.

As a native SwiftUI app on Mac, it does a bunch of cool things the web experience couldn’t. It works with your local files, interacts with app windows, and supports Personal Intelligence as well.

Looks like a solid release.

This is meant to be a stop-gap idea till the city gets its long-awaited, well-deserved AC Locals, but even then, this is a terribly executed idea.

Anyone who has travelled in a Mumbai local train knows how extremely hot and humid it gets inside, and the doors are a major source of fresh air. Shutting them off completely, with glass panes at that, will make things uncomfortably worse.

Moreover, the window design is terrible — the glass pane sits in the middle, exactly where the seats are aligned. Whoever finalized this design most likely sits in an AC cabin up-north and has never travelled in a Mumbai local train.

Kyle Daigle, COO of GitHub, posting on X:

27M devs building on @github in India
2M+ more joined in 2026
1 in 7 new devs are from India

Behind India’s economic growth is a relentless community of devs.

That’s a massive number, especially the 2M+ who’ve joined in 2026 alone. I’m guessing that’s largely due to the rise of AI-assisted coding and apps like OpenClaw, but it’s still good to see an entire generation of devs using modern tools and systems.

When I was in college, it was frustrating to see the world progress with newer programming languages and technologies while the syllabus we were being taught was stuck in the “ASP” era (not even ASP.NET)

Sarah Perez, writing for TechCrunch:

Users will now be able to create a ghost post on mobile devices by toggling on the new “ghost” icon on the app’s compose screen. When the post is published, it appears in others’ timelines with a dotted conversation bubble around it to differentiate the post from other content.

Other users on both desktop and mobile devices can reply to the post, but these responses are sent directly to the poster’s DMs (direct messages); these replies don’t appear in the timeline.

May be it’s because I’m old, but I’m failing to see the novelty of this feature.

Remembering “In Focus”: The Atlantic’s Brilliant Photo Blog by Alan Taylor

While tidying up some old drafts on this blog, I stumbled upon an unpublished article from 2012 titled “Diwali: The Festival of Lights [Photos from the In Focus Blog]” Revisiting this piece instantly brought back memories of The Atlantic’s ‘In Focus’ photo blog, masterfully curated by Alan Taylor. This blog delivered captivating photo stories centered on current events and remarkable themes, enveloping readers in unforgettable visual experiences. It truly was one of the best places on the web to experience powerful photojournalism.

Alan originally started curating and publishing these photo stories when he was employed at The Boston Globe as a Web Developer and launched “The Big Picture” as a passion project. A few years later, Alan took that concept to The Atlantic, where he continued curating breathtaking collections under the banner In Focus — this time as his full-time role. The series featured everything from world events and cultural festivals to historical retrospectives and space exploration. Each photo essay was a masterclass in how photography can evoke emotion, context, and wonder.

Today, The Big Picture still lives on as a category Big Picture’ on The Boston Globe’s website, continuing the legacy that Alan started. Over at The Atlantic, In Focus has evolved into the broader Photography section, where Taylor still publishes his signature photo essays.

Don’t miss ‘The Lights of Diwali 2025‘ photo collection – a striking celebration of light and life, curated in Alan Taylor’s inimitable style. I also found a nice little archive of photos published on the In Focus blog over on Tumblr.

Stephen Hackett, writing on 512 Pixels:

Apple silicon has been nothing but upside for the Mac, and yet some seem bored already. In the days since Apple announced the M5, I’ve seen and heard this sentiment more than I expected:

This is just another boring incremental upgrade.

That 👏 is 👏 the 👏 point.

Back in the PowerPC and Intel days, Macs would sometimes go years between spec bumps, as Apple waited on its partners to deliver appropriate hardware for various machines. From failing NVIDIA cards in MacBook Pros to 27-inch Intel iMacs that ran so hot the fans were audible at all times, Mac hardware wasn’t always what Apple wanted.

[…]

The difference is that with Apple silicon, Apple owns and controls the primary technologies behind the products it makes, as Tim Cook has always wanted. It means that it can ship updates to its SoCs on a regular cadence, making progress in terms of both power and efficiency each time.

A predictable update schedule means that incremental updates are inevitable. Revolution then evolution is not a bad thing; it’s okay that not every release is exciting or groundbreaking. It’s how technology has worked for decades.

This is such a well-written piece by Stephen, and he really hits the nail on the head. The switch to Apple Silicon has been one of the best things to happen to Mac hardware in modern times. I’ve owned an Intel iMac as well as an Intel MacBook Pro in the past. As he mentions, it’s completely okay that not every release is exciting or groundbreaking, because barely anyone upgrades on a yearly cycle. Most customers jump from one Mac to the other every 3-4 years, so these releases are never boring for them.